Today, sacrifice is mediated by market exchange –the well-being of humans, nonhumans and the environment has been betrayed in favour of economic growth. Sacrifice zones are proliferating in areas deemed most extractable, most exploitable – usually regions under pressure from neoliberal policies. Here, humanity and nature are believed to be expendable and replaceable.
Mormont Hill’s excavated objects help archaeologists fiction a past, though almost certainly, the Celts did not intend for these remains to be uncovered. In archaeology, formulating past beliefs involves a delicate navigation between fiction and reality in which the lines are always blurred; the reconstruction will always be a representation. The project builds on this grey area in our own moment of current crisis, pushing for a more earthly understanding of prospective cohabitation whilst offering a reflective space for an unknown future.
In a continuous interplay between fact, fiction and scale, meditative landscapes of typically inaccessible areas are juxtaposed with archival footage, drone views, investigative close-ups and photogrammetry-based 3D modelling. Whilst acknowledging the Anthropocene is built on an erasure of its racial origins, Archaeology of Sacrifice reflects on the precariousness of our planet and its unsolicited submission to humanity.
Text by Ellen Lapper and Ignacio Acosta
Archaeology of Sacrifice was created in collaboration with film editor Lara Garcia Reyne, artists Valle Medina and Benjamin Reynolds (Pa.LaC.E), writer Carlos Fonseca, sound designer and composer Udit Duseja, and colourist Paul Wills. The film includes archival footage from the documentary Crépuscule des Celtes (2007) by Stéphane Goël, Climage. It was produced as result of the Scholarship 2020 of the ZF Kunststiftung, Friedrichshafen, Germany, filmed during Principal Residency Program, La Becque Résidence d’artistes, La-Tour-de-Peilz, Switzerland and with the collaboration of the Musée cantonal d'archéologie et d'histoire/Lausanne, Switzerland. It is presented first by ZF Art Foundation at the Zeppelin Museum Friedrichshafen, 18.9.–6.12.2020